Remarkable for its irresistible sweep, wit, and prickly splintered truth, Giada Scodellaro’s novel Ruins, Child is a kaleidoscopic work, pointedly disorienting in its looseness, and powered along by snatches of speech from its compelling ensemble cast (often vernacular, often overheard: “The woman is old, I hear children saying, not in the way we consider all adults to be old, but really old, ancient, she is endless”).
Seemingly drawn from deep wells of Black American reality, Scodellaro’s female protagonists push against authority in the very vivacity of their telling, setting afoot a freeing-up and a mysterious inversion of marginalization. “Looseness, that is the thing people fear in a person (in women) and in objects.” A surreal musing, Ruins, Child uses the lens of urban infrastructure, social commentary, folklore, choreography and collective listening to create an ethnography of place and an ode to communal ruins.
Forthcoming from New Directions (US), Fitzcarraldo Editions (UK), and Giramondo (AU) in early 2026.
AVAILABLE MARCH 24, 2026
“Ruins, Child takes us to the crumbling architecture of a future past; a future past that is possibly now. In this work of fractal seeing, we encounter women in lives that are simultaneously lived, reenacted, and observed. Ruins, Child is conceptually rich, prismatic, and choral, embodied, and surreal, cinematic and textual. Giada Scodellaro writes us Black life watching Black life.”
—Dionne Brand
“Giada Scodellaro's newest masterpiece, Ruins, Child, endows the concept and form of the contemporary novel with new force and meaning. Cinematic and prismatic, like a camera constantly in motion and yet incisive in its close portraitures of a community of Black women and fems surviving and living amidst the future urban, eco-dystopic, queer ruins of our society, Scodellaro’s novel breaks new ground in spectacular fashion.”
—John Keene
“Giada Scodellaro is one of the most astonishing writers of her generation and Ruins, Child is a visionary novel. Scodellaro refracts and redefines the canon of Black culture, the archive of Black experience. The result is a masterpiece that lives and breathes on the page, every sentence shimmering with wit, musicality, brilliance and verve.”
—Katie Kitamura
Cover Art: LORNA SIMPSON, Everything (Detail), (2021)